Clocks | Flash Fiction

Here’s a quick, fun story I wrote a few years ago. I was planning to add to it, but I think it’s okay the way it is. I hope you like it!


It was sunny the day time broke. You’d expect the end of time to be dark, chaotic, apocalyptic. You’d think time would end with a bang worthy of its magnitude. Time went with a whisper. A quiet keeling over, the hush of a last breath, as the splinters inside the universe’s clock cracked and fractured and the Earth stopped spinning and every clock’s hand stilled. The sun was high and blazing, summer hot and heavy and sweating through shirts.

When time broke, a blanket of silence smothered everything. The birds were muffled, the leaves didn’t rustle, the world was muted as people bustling through the town stilled and looked at each other with wide stares. It was clear that something was very wrong, but they couldn’t place the particular something. They were quietly deliberating the sudden shift when frightened hands began to point at the town clock, its hands suspended at thirteen minutes past noon. The people checked their watches, which read the same, would always read the same. Hours passed and when the sun did not fall, it was clear that not only had all the clocks stopped, but time had frozen.

When it would have been evening, the townsfolk held a meeting to fix time. They argued and muttered among themselves, solutions flying this way and that like flustered pigeons. They needed to fix the clocks, but how? They needed the sun to set, the stars to shine, but how could insignificant humans do something so massive? The sun’s cycles were assumed to be an anchor in their otherwise chaotic world. If the sun could suddenly never set, never rise, then what else could change? Would gravity no longer hold their bodies down, leaving them to float forever directionless? Was anything certain? Was anything reliable?

They asked the town clocksmith, Ms. Woodsworth, if she could fix the clocks. She held up her hands as if to ward off accusations and shook her head apologetically. “I tried to build one when this started, but its arms refused to move, wouldn’t even give a tremble. The clocks won’t spin unless the sun does.”

“We could all go to one side of the Earth and jump at once,” Ms. Betsy offered. “That would be the push the planet needs to keep turning.”

“We’re too small,” Mr. Wilkes said sadly. He rubbed his chin thoughtfully and suggested, “What if we fed a horse so much that it grew large enough to swallow the sky. We could tie it to a mountain and it could pull the Earth behind it.”

The townspeople erupted in tentative cheers of relief. They began to plan the logistics. People offered up their farms for the food, their best horses for the job, and their hair for the rope.

Ms. Rosalyn tilted her head and squinted at the jabbering townspeople from the fringes of the crowd. They were fixated on making the world turn again, yet this was an impossible feat for any measly human—or giant animal. They could not start time again. The sun didn’t seem likely to start its cycles soon. But just because time had halted, they didn’t have to stop counting it. Even though the clocks had stopped spinning, time was still moving, the seconds passing, their lives progressing. The townspeople were desperate to find their way back to normal; however, Ms. Rosalyn suspected normal would never return. But that didn’t mean they should be miserable without the visible passing of days.

The fervor of the conversation rose in pitch as people clung to the filaments of hope Mr. Wilkes’s idea provided. The townspeople were certain that they had found their solution.

Ms. Rosalyn raised her voice and said, “What if we simply counted the seconds passing.” The townspeople paused, considering. The simplest idea was often the best. “Everyone could take turns controlling the town clock manually.”

“That could work,” someone murmured.

“But surely you don’t expect the children to help,” a mother fretted. “They cannot be trusted with such a task.”

“And certainly you don’t mean for parents to turn the clock,” a father exclaimed. “Who would care for the children?”

“And we have jobs to do!” a shout rang up.

“We need someone unimportant to this town,” Mr. Wilkes stated. “Someone we wouldn’t miss if they were holed up in the clock all day.”

“What about you, Ms. Rosalyn?” Ms. Betsy called.

Ms. Rosalyn took a step back. “No, I mean for everyone to help, in shifts.”

“But we can’t. We are contributing members of this society. We cannot sacrifice,” Mr. Wilkes insisted. “We need someone who would be better gone, so everyone wins.”

“Ms. Rosalyn, you’d be a wonderful clockmaster,” Ms. Betsy pressed. “You’re always clogged up in that dusty bookshop of yours anyway. You can be cozy with your books in the clock tower.” Ms. Rosalyn’s bookshop was in a prime location on Main Street. Ms. Betsy had been trying to purchase the building for a general store for years. “You said yourself that controlling the clock wasn’t too much trouble. Besides, it’s only necessary while we’re awake. You’d get the nights to yourself, and the sun will be out for you to read by.”

“Ms. Betsy, you surely do not expect me to be the sole clock,” Ms. Rosalyn tried.

Ms. Betsy smiled pleasantly in response.

Ms. Rosalyn looked around at the other townsfolk for help. Whispers floated through the crowd. “She always was so pushy, that Rosalyn.” “If she asks too much, she must give that much.” “Better gone.”

“What a hypocrite,” Mr. Wilkes said with disgust, directing his words to the people as if it were a show. “She expects us to sacrifice our time, and our money, for the menial task of spinning some dumb clock’s arms for it, yet she is not willing to give the same. For shame.”

“That’s not at all what I said!” Ms. Rosalyn shouted, her voice sharpened with frustration. Ms. Rosalyn never should’ve said anything. She never should’ve tried to help.

“Will you not be decent? Will you not do only what you asked of us? Shame, shame!” Ms. Betsy chanted.

The others took up the call. “Shame. Shame. Shame.”


Rosalyn pushed the button Ms. Woodsworth installed to move the clock ahead by a minute. Ms. Woodsworth had tried to make the hands automatic, but they wouldn’t budge, like the watches she had tried to fix so many months ago. The town clock required a person.

Rosalyn’s legs were crossed, her elbow on her knee and her chin in her hand. By this point, being a clock took less than a fleeting thought. Rosalyn had internalized every passing of sixty seconds, her finger pressing down like clockwork. And besides, it didn’t particularly matter if she was off by a moment or two. She was time; she could do as she pleased.

Mutilation- Horror Flash Fiction

Content Warnings: graphic descriptions of cannibalism

Her face is the prettiest when rusted with blood. 

She’s wearing a clear raincoat, the cadaver within like meat bleeding out of a plastic bag, folds of fat and lumps of muscle seared with wounds cut against the grain. Her teeth peek behind her crusted lips craned in a smile, her breath the smell of pennies as I put my fingers on her chest and monitor her pulse. Her heartbeat is slow, stagnant, staccato. A red sonatina orchestrates around her as I lap her up, notes of silver on my black tongue. 

I am an ugly man. My hair is an oil spill, my eyes are shadows without brows and my high cheekbones are riddled with acne. My image is a descendant of a Chippewa chieftain, but my skin is pale and rather sickly. The shirt I am wearing is of a metal band since I was unable to find Mozart in the thrift shop, and my jeans have the texture of bandaids ripped off the skin. The fabrics loosely clothe my rotten skeleton underneath, stripped bare of any muscle. I say this all objectively; my bathroom mirror cannot lie. 

Before I depart my city-suburban home, I slide into my mother’s heeled boots and clomp out of the building. I am 207 centimeters with them, a behemoth to be revered as I march down the Tittabawassee and as the homeless saltines snap their necks to watch. If they can admire me, they can also cower before me. But when? 

I dream of the day when the sun ripens into strawberries over the humble buildings and melts the mud-drifted snow, and when I can write stories about Saginaw instead of detailing the abandoned buildings and businesses, and when an ugly beast crawls into this empty husk and devours the bodies of all people inside. When blood rains from the sky and the citizens enter a dancing plague to entertain him. And of course, the beast shall be me. 

Someday. 

I go to the local Walmart and trudge my cart through the parking lot, wheels trilling upon the patches of brown ice on the pavement. The people are vacant souls, any shred of personality being frostbitten by the blistering cold, yet are oddly proportioned just like me. It is off putting. To remember that the wrinkled middle aged Bump-It wearing blonde barbies aren’t satire, that the men who are insanely obese bean bags aren’t Hollywood actors in fatsuits, and the children wailing aren’t in a fire, although I would very much like them to be. 

The pretty people are even weirder; I am convinced they come here to look at us like zoo animals. I know that the white girls with tattoos on their lower backs and their waffle fried boyfriends slung around their waists aren’t here for groceries. They are here for Youtube videos and plan to film us like Animal Planet, taking turns riding in the carts and licking ice cream from their compartments and putting them back. 

Those are the people I would like to eat the most. Their meat is moist and tender, young and soft like baby goats and when spiced and well done they are the most satisfactory. Especially when watching television. They provide a healthy change to the programming: the star football player absent from an integral game or the prom queen going missing at midnight. Anything to get this drab Midwestern town to show any signs of color. 

However, I shall hold off for today. 

There is a meal awaiting me at the rear end of the store, next to a dumpster filled with the remains of what people don’t want to buy. Marked down Ben and Jerry’s, holy pantyhose, paperback classics and a dead body. 

I will name this one Sheila in my mind, but will never say it aloud. The moment the sound comes from my lips, the taste leaves my tongue. It would be such a waste. Her parts look delicious. 

~

There is blood on my chin. The police have arrested me and the news is filming me like a movie star on the red carpet. They survey every detail: my pale skin, the band Death Grips on my t-shirt, my skeletal figure and construct a bildungsroman of my wretched character- the perfect outcast to villain story. I smile with red crusted teeth and make sure they get a good look.

They ignore the girl behind me, don’t even bother to say her real name and keep crying Shattered Sheila- a marketable catchphrase for the media. The moment the killer comes on screen, they don’t care about the victim. 

They only see the ribbons of blood pooling, the lacework of guts on the concrete, the object of their fear. They only see their mutilation. 

Cameras flash and snap like the jaws of Dobermans, silhouettes of reporters behind them as the cops cuff me and show me off like I’m their prey.  Ironic.

I take a bite of Officer McKinley, his name and taste on my tongue, teeth digging into his buff upper arm. Red cascades down his skin and flattens his grey body hairs as he lets out a howl under the full moon. He faints and aches in pain, the wound revealing the ivory shimmer of bone. The reporters back away: click, click, click, snap, snap, snap- eating up seconds of the scene before the other policemen can restrain me and stuff me into their childish metal contraption. I wave bye bye and imagine how fearsome I shall soon be.

The dancing plague shall begin on TV screens, all of them watching me. Watching me as I feast. I know…

My face is the handsomest when rusted with blood. 

McDonald’s Soda- Horror Flash Fiction

You slump down my throat as my taste buds pop with your frigid snakeskin. Shangri La.

Well, not exactly that. You’re an ice-tuned McDonald’s soda, diluted ichor of the gods on this hot as hell day. My solace as the deviled sun blazes onto the field and stilts the freckled dry wheat-grass. My solace as I drive along this lonely road, to escape the fires before me. 

“Ah-”, I pant like a dog, “the weatherman wasn’t kidding when he said 115 degrees, huh?”  

I’m in a navy pickup, one out of country songs, and today the radio twangs a sour melody. The seats are muggy leather and the steering wheel is a lava stone, my clammy hands upon it. My sweat beads upon my brow and gashes my underarms. Heat sears through the window and threatens to set fire to the carcasses of fast food amassed at the bottom of the car, to send me hurdling into an abyss of crop circles, but to my dismay, it doesn’t happen. 

I continue to drive away, hot coals in my throat, as my eyes dart to the empty street behind me. No one is there. Not yet. 

I take another sip. 

Your delicate plastic orifice is bristled against my thinning mustache. You’ll make it grow again, right? Thick and bushy as it once was? 

I drink you more and continue down the long wandering pathway, you occupied in my left hand in a warm bear hug. My fingers oscillate upon your cardboard skin as my wide cuticles divot your golden arches. I sigh in delight. 

You are cold. Ice Christ cold. You take me away from the barrel bodies in the trunk, from the raw flesh-acetone scent and their bones that click together, tick tock tick tock. Time ceases when I am with you. When I take another sip. 

I swear I’m not crazy. But you know that. I am just a common man, overweight with fried foods and existential thoughts. I swear it. 

“Would you like another kiss?” I look behind us again, to make sure no blue clad men are looking in. None. 

“I love you.” I confess, “There is a fire in me; the heat of the sun.” 

I gulp you down. The liquid stops. You let out a dehydrated croak. 

Of course, I crush you under my boot, Just like the rest of them. 

Ice cracks. Blood seeps out. 

Butterfly Effect

Warnings: mental illness, animal and child abuse, graphic gore

~

I examine the butterfly pinned on the table: stained glass window membranes, mushy eggplant guts and midnight seaweed skin. Its legs still writhe. My fingernails sear the edges of its wings, cuts them fresh off. Its legs still writhe. I pluck the antennas like eyelashes, squish the eyes like globs of ink-oil, and tear the body segments apart onto the rough-soft paper towel. Disseminated. Dead. Its legs are still. 

One day, I’ll do the same to you.

~

I am a mother. I live in a cottage. There are rolling hills of sweet grass, hair dried willow trees, and kids whose imaginations have run far away. Schizophrenics- that’s what the doctors call them, but I call them the Lost Boys. Perhaps, that makes me Peter Pan, to lead them through their fantasies, or Wendy to sing their delusions to sleep. 

I don’t know. I’m not familiar with fairytales. Can you tell me one? 

~

I asked you that on the morning you arrived on my doorstep. 

You were a pale faced child who took on the spirit of a butterfly- the same ink-oil eyes, delicate antenna lashes and a mosaic of a mind behind the flapping six-year old arms. You have your hair pulled in a tight blonde braid and you wear a sky blue dress as you prance about. Your lips flutter with teensy giggles. I want to catch them in the air. 

And pin them to the wall. 

~

Junonia almana

The peacock pansy, with fuzzy mustard wings and those cocoa hue owl eyes that watch me through the glass. It is framed on the basement drywall, in a new place, rearranged with the others for a new blank space- approximately 50 by 150 square inches in area. There are larger pins. Bolts. And rope. 

Just like your pretty little braids.

~

I comb your frayed locks, free from those little ginger roots. You gaze into the mirror, bite your nails and curl up in your seat so your knees pillow your chin. A cocoon. I tug on your longest lock, what you think is a silkworm shaving.  

“Don’t-” I say, “we’ll go to bed soon.” 

You water your eyes at me, lips in a red larvae pout.

I yank the hair from your head. The wailing takes a while to settle.

~

I sew your silk back on the next morning. Your glass eyes are beading with crystal, and your nose blushes with rosy sniffles as you wince at every prick of the needle. In, out, in, out- skin and blood and dandruff and tousles of rope thread hair. 

“It hurts,” your tears pool on your cheeks, “Can you stop, Miss?” 

“No,” My lips thin into a straight line. 

I can’t let the doctors know. 

~

The doctors flood into the cottage. They take the lost boys one by one, cultivating caterpillars into their nests. Some are bribed with leaves, others simply slink in, and all of them leave slimy paths behind. Good riddance. 

I only think of the white coat, white mask doctors, and their syringe slits of eyes that scan us with pinpoint precision. I clench your hand tight. 

I’ll never let them have you. 

~

We run down the dark stairway, slipper flats and baby bare feet tip-tap against the ashwood. We spill out into the basement- the clothes I scrimmied off you splayed on the tile floor. You shiver under my touch, as my cuticles indicate lines upon your back. 

I drag out my butterfly canopies from the closet. Layered blankets: monarchs, swallowtails, painted ladies, buckeyes, blue sulphurs all weaved together. 

Remember the fairytale you told me? What if I said I could make it come true?

~

“Miss, I-” 

“Hush.” 

I sew the quilts onto your back, stitching them to the skin with black thread. In, out, in, out. My needle is diligent, but my eyes are disorderly. They look at places they shouldn’t. They linger as I work. In, out, in, out- eggplant mush and seaweed skin and a set of prismatic wings, spread before me like Neverland. 

~

My butterfly.

Debbie and the Large Pumpkin

Once upon a time, there lived two mice who were the very best of friends. Debbie and Gwenie were inseparable. They did everything together: the mundane and the exciting. They would talk and laugh endlessly and it was said they even breathed in time. It would be surprising if someone thought they didn’t have a telepathic connection.

They were the very best of friends at birth, and to all it seemed they would continue to be the very best of friends until they were buried side-by-side. That is, until last September, when the annual city-wide pumpkin-growing competition began. Debbie decided she’d enter because it could be fun. Gwenie didn’t think it was worth the effort, but as any good friend, she encouraged Debbie. Neither of them expected this pumpkin-growing competition to be the end.

***

Debbie wanted to win this competition. She needed to be the Pumpkin Champion. She didn’t know why, but the title seemed more important than life itself. So she gave her life to the pumpkin. She watered it and gave it fertilizer. She put the pot on wheels and rolled it around the yard to follow the sun across the sky, her little mouse muscles straining as the wheels forced their way through the grass. She whispered to the pumpkin, loved it. At night, she stood on top of it and wielded her rake to fight off any animals that might come to devour it.

Debbie did not eat, she did not sleep. Gwenie brought her food like clockwork, but she never smiled. Debbie now breathed in time with the pumpkin, not Gwenie. Debbie was snappish and skittish, never allowing Gwenie near the pumpkin and never straying far from it. After a few weeks of this, Gwenie stopped trying to speak to Debbie at all. She left the food on the back porch and vanished.

Debbie was not always with her pumpkin. Everyday, at a random time (to throw off sabotagers), Debbie set a crate over her pumpkin to protect it and left the garden. She peered over her neighbor’s fences, scoping out the competition. As she watched the pumpkins, a sense of victory filled her. Her pumpkin was significantly larger than any of these ants. Except for Tessie’s pumpkin. Tessie was outside at all hours, polishing her pumpkin. Her pumpkin appeared as large as Debbie’s.

***

The day before the Ultimate Public Pumpkin Weighing, Debbie was pacing circles around her pumpkin. Most of the pumpkins weren’t even a quarter of the size of Debbie’s. Debbie’s pumpkin had outgrown four pots and she could barely push it around the yard anymore. But still, she was not guaranteed the Pumpkin Championship. Tessie’s pumpkin was just as large. Debbie just might get second. Debbie could not lose everything she had worked toward, everything she had ever wanted.

That night, Debbie drilled a small hole in the top of her pumpkin and dropped pebbles inside. The pumpkin was halfway full when she ran out of pebbles in her yard, so, in the middle of the night, Debbie took a wheelbarrow to Gwenie’s house and stole all her rocks. Gwenie did not see.

***

Debbie won the Pumpkin Championship by a large margin. Her pumpkin was nearly five times as massive as Tessie’s (thanks to the rocks). Tessie ran from the competition sobbing as Debbie accepted her ribbon. Nothing had ever felt so good.

The next day, Debbie invited Gwenie over for pumpkin pie in celebration.

“Congratulations,” Gwenie said when they were seated at the table.

“It was nothing.” Debbie shrugged like it was actually nothing.

Gwenie gestured to the pie with her fork before taking a bite and saying, “We’re eating your pumpkin.” It pleased Gwenie to eat the horrid pumpkin.

“I had nothing else to do with it.”
“I thought you loved your pumpkin,” Gwenie exclaimed. Debbie had chosen the pumpkin over Gwenie, so it must be worth something.

“Meh.”

“You’re not wearing your ribbon…,” Gwenie observed.

Debbie laughed. “I’m not going to brag about winning a dumb ribbon for having the biggest pumpkin. What would people think of me?”

Gwenie blinked in surprise. “We haven’t spoken in months because of this pumpkin! You broke our friendship for the pumpkin and you don’t even care about it anymore?”

Debbie cocked her head. “We’re friends.”

“Are we? I’ve been talking to Katie down the street lately.”

Debbie frowned. “Oh. Well.”

“I’ll forgive you if you say you regret it,” Gwenie said. She wanted to salvage their friendship.

“I could say that, but it wouldn’t be true.” Debbie shrugged.

The Keyboard

To create a story is to create a world and characters so vivid that the reader cannot bear to accept it as only fiction. To create a story is to allow the reader to breach a space that fundamentally belongs to the writer, and as they peer into its depths, it becomes its own reality. I’m awed that it is me who lurks behind a keyboard and builds worlds, that it is me who toys with the nonexistent reader’s emotions and plays god to my characters. Despite being wholly unqualified, I try to create stories that will entrance readers and lure them into the make-believe.

The story’s foundation is built in the writer’s imagination, in isolation and darkness, hidden and inaccessible. It begins as an idea that is so easily blown beyond reach. The barest brush at the edge of one’s consciousness and then nothing at all, a wisp of smoke, a dying flame, a final breath. The idea is sneaky, a small mouse hiding and darting across the edges of vision when no one’s looking. To capture the idea, one must be constantly vigilant, hunting and prepared to pounce. The pen sets the trap. At the briefest whisper of an idea floating by, the pen is touched to paper. It rips across the page. It constructs an inescapable prison to store the idea so it will never be forgotten. The keyboard bides its time in the background, preparing for the war it anticipates.

Once captured, the idea is welcomed into the brain. In the mind, the idea festers. It swelters and parasitically feeds on thoughts, leaving no space for anything else. It grows like a fungus, and you allow it, nurture it, cherish it. The idea is a needy infant. It requires constant care and attention to grow. The mind is the mother, willingly throwing all of herself to the idea. It soon eats too many thoughts and is too large to contain within the mind anymore. Pieces of the idea overflow and escape and the mind frantically tries to recapture them, but there is too much. The idea can no longer be contained. It demands to be free, yet the keyboard continues to lie patiently in wait. Brief notes are scribbled, but the keyboard remains mostly untouched as the idea grows into something worthy of it.

Pen cannot keep pace with the flood of ideas that pours from the mind during the exodus. Something always escapes while the pen is preoccupied with decadent flourishes. One must turn to the keyboard to find what the pen lacks: speed. There is something beautiful about the pen, about thoughts flowing in one’s own hand, but as speed increases, legibility is sacrificed. Even the most perfect words are worthless if they cannot be deciphered. The keyboard is cold and mechanical, but endearing, as it never once falters at the barrage of letters that spill from the fingers in a hurricane of story. Every flailing limb of the idea struggles and pushes to escape first. They tug and demand and pull the consciousness every which way. The keyboard is attacked, the fingers venomously striking the letters, matching the speed of the rushing ideas and the keyboard’s hunger for words. Clicking fills the air and becomes music.

The idea is sloppily captured on the page in the rush. Word vomit is splattered to the edges of the sheet, contradictory and directionless and pointless. There are ugly words and cloudy images that must be refined or excised. My mind changes from a loving mother to a soulless surgeon. The love I felt for the leaching idea becomes clinical detachment as I appraise the words with a critical eye. With cold efficiency, I slice into my story, butcher it, maim it, the backspace pummeled, even as my heart cracks and shrivels. I raze my story, decimating the contradictory, the directionless, the pointless, with knives and guns and bombs and keys blazing. It becomes a war zone. Unrecognizable. I assault the keys, my anger expressed through the ferocity of the frantic strokes. The keyboard finds a cruel joy in the vicious destruction of all the words it ever loved.

And then I slow and melt from the violence-starved butcher to the artist. I paint over the fractures with beautiful words. The keys are pressed slowly, gently, each letter carefully considered and caressed. The furious typing is replaced with a graceful dance as the story grows. I nurture the story, feed it and love it once more with beautiful words until it blooms into something lovely, but this time my love is requited. The story sheds its ravenous hunger. It is content and complete. It no longer impedes on my every thought. It settles, finally placated. I breathe a sigh of relief, the battle over and casualties counted.

All throughout the creating and expelling and destroying and rebuilding of the story, the keys clatter. It’s deafening. It’s a wild dance of only the hands. A key is pressed lightly and the finger moves on. There is no proof that the key ever changed except for the letter that has burst into existence like a firework. The letter’s moment of glory is immediately surpassed by the next letter that appears, then the next and next, like bullets fired in quick succession. It quickly becomes nothing on its own, insignificant, but powerful taken in tandem with the other letters. The keyboard hungers for these words. It will become enamored with a beautiful turn of phrase, a romantic. It will encourage a mediocre one to flower, a friend. It will ruthlessly slaughter an inadequate one, a slayer.

The keyboard, a thin, unassuming sheet of squares, is so much more than what it seems. It houses the twenty-six letters, a meaningless jumble of symbols that combine into an innumerable number of words, which are combined in endless, infinitely different sentences and paragraphs and pages and stories. The keyboard allows stories to be told, to exist. It allows worlds to be created and demolished. It is the conduit through which stories can leave a writer’s mind and come alive. And yet, unlike the story, the keyboard does not gloat nor posture. It elegantly accepts praise and continues to work, bearing the vicious tirade of punching fingers as it destroys and creates from ruins.


Connect with me on Twitter @arachnid_weaver.

The Sleepwalker | Flash Fiction

Hello, peeps of the universe. Today, or tomorrow, or whenever I find the time (what is time, anyway?), I’ll be doing a writing prompt! (Is “doing” an accurate verb? I’m not really “doing” a writing prompt. I’m writing an explosion based on the fuse that is the writing prompt. But actually, I’m just rambling.)

This writing prompt will be done with no prior planning. Basically, it will be word vomit. But hopefully, it’ll be entertaining word vomit. Either way, it will help me sharpen my writing sword to a lethal point so I can viciously stab all the fictional villains. [Insert mental image of Arachnid trying to press buttons on her laptop with a ginormous sword.]


The prompt: What started off as a sleepwalking problem leads to a night of adventure when Dane gets behind the wheel and does what he was too afraid to do when he was awake. (This prompt was stolen from BookFox.)

Diana carefully watched Dane across the table from her in the small cafe. It was nearly closing time and there were no other customers, only a waiter cleaning up the nearby table and willing them to leave so he could go home.

“Look, I love you, Diana, but you have no idea what you’re talking about. So what if I sleepwalk? I don’t have a problem. It’s harmless.”

Diana leaned forward, her voice dropping to a whisper even as anger laced her words. “Harmless? Do you even know what happened last night? Have you seen the news?”

Dane slowly shook his head.

“An unidentified man let all the butterflies out of the zoo.”

Dane barked a laugh. He had braced for something terrible to come out of Diana’s lovely mouth, like vandalism or arson or murder. “That’s all? So what if a few more butterflies are flitting around the city? Let them be free.”

Diana shook her head in disgust. “You don’t understand. It always starts small, and you tell yourself it’s nothing, and maybe it is then. But it escalates and you don’t even notice. This is bad, Dane. You need help. You could do something you’d regret.”

He drank the rest of his tea while Diana’s words rolled around inside his head. “Diana, trust me, it’s nothing.”

She abruptly stood up. “It seems you don’t have to even be asleep to say things you’ll regret.”

***

Hours later, the night was blue and sleeping. Dane was only a lump under the covers, Diana’s scathing accusations forgotten in the fog of sleep. The world breathed softly, the wind brushing the curtains in greeting, and the floorboards creaked as Dane’s feet thudded softly against them.

He didn’t fit neatly in the world anymore. He was outside of the calm and his body outside the control of his mind.

***

The garage door rumbled open. A car rolled out, Dane behind the wheel. The car lurched onto the empty street, weaving in and out of the lane like it was drunk, occasionally careening onto the sidewalk.

The car coasted to a stop after a while, half on a lawn and leaning against a precariously tilting mailbox. Dane clumsily stepped onto the pavement and stumbled to the door. He rang the bell, and when no one answered, he rang it again. Again, the door remained closed, the night still and quiet. He broke the silence and pounded against the door.

A moment later, Diana opened the door, wearing purple pajamas and glaring both furiously and sleepily. She rubbed her eyes. “What do you want?” She noticed his glassy-eyed stare. “Dane.”

Dane dropped to his knees and pulled a slightly squished cinnamon bun out of his pocket and held it out to Diana in an offering. He mumbled, “I love you. Marry me?”

Diana, usually unshakeable, was shocked. This was unexpected, to say the least. She thought that his sleepwalking would culminate in various criminal activities, not a proposal. “What? No. Goodnight, Dane.” She closed her front door, rolled her eyes, and went back to bed. Dane could find his own way home, as he had every night for the past few weeks.

***

Diana slid into the chair across from Dane the next afternoon and folded her arms. “Do you know what you did last night?”

Dane looked surprised. “I sleepwalked again? But I woke up in bed this morning.”

“You proposed to me. With a cinnamon bun.”

Dane flushed. “I—You were dreaming,” he spluttered.

Mirror, Mirror || A Very Short Story

  1. Mirror, Mirror: What if your mirror started talking to you? What might the mirror say?

Jenny stood in front of the mirror, adjusting her makeup, when her reflection screamed. Jenny, of course, screamed in return. And cursed a bit as well.

“You look atrocious!” the mirror exclaimed.

Jenny, bewildered, couldn’t form a reply.

“Well, come on, don’t just stand there like a pebble or a lilypad or some other immovable object. Don’t tell me you’re incompetent as well as ugly!”

“What are you?” Jenny breathed, concerned that she might be going crazy.

“This is unbelievable. You really can’t recognize me?”

“Well, you look just like me…” Jenny replied.

“You’re very good at stating the obvious,” her reflection replied.

Jenny rolled her eyes. “You haven’t answered my question.”

“You still can’t guess? I’m your self-esteem.”

Eye Contact: A Writing Prompt

  1. Eye Contact: Write about two people seeing each other for the first time.

 

The park’s loud, but the only thing I can hear is the scratch of my pen and the distant echo of an epic dragon war. There are knights with clashing swords and a blazing fire and medieval princesses that save themselves, and then the knights. It seems like most people need absolute quiet for their writing. And honestly, maybe if I was writing in a silent place, my stories wouldn’t be so horrid, but it’s not like I’ll find silence anywhere at my house. The park’s not quiet, but it’s the kind of loud where you can’t hear anything. Which is an improvement.

Currently, in my head, the hero is standing in the dragon’s jaws, about to retrieve the queen’s crown from its stomach (which is where the dragons in my story hide their hoards. It’s like a weird second stomach. More like a pouch or something, I suppose, since there aren’t any digestive juices.) But. However. My pen’s run out of ink.

I’m rooting around in my bag in the hopes that I brought another one (which I know for a fact that I didn’t) when a roller skater, screaming/laughing (I can’t really tell) jumps/falls/crashes into the bench. Like the comet in my book that started the fires the allowed the dragon population to explode. But on a smaller scale and less catastrophic.

But still kind of catastrophic because all of my papers fly everyone and rain all over the place. It’s not windy, luckily. But ughhh. It’s going to be a pain to reorder everything. I should’ve added page numbers.

She pulls herself off the bench and brushes some dirt from her shirt. There are grass stains on her knees. I don’t think this is the first time she’s fallen. She sticks out her hand to help me up. I wasn’t planning to stand up, but what is one to do? Be excessively rude and not take the offered hand?

“Sorry. You wouldn’t believe how many times this has happened. I must be setting some record. I’m exceptionally bad at skating, but I decide to do it anyway, all the time. I have no idea why. Am I talking too much? I feel like I’m talking too much, especially since I just ran you over. Sorry. I like talking. And skating. And writing. I just felt like putting a third thing in there because it seems evener. Even though three is an odd number. And you were writing, and I like writing. So I feel like we’re connecting. We’re basically best friends already.”

I don’t think she takes a single breath, and she talks in that too-much-sugar sort of way.

“Hi,” I say.

She’s picking out some leaves that got tangled up in her hair, but then she looks up and meets my eyes and I get kind of distracted. She has very big, very brown eyes.

She’s an exact replica of Naila, the knight-saving, dragon-fighting princess from my story.

Halloween Horror Story

Hi peoples!

Happy spooky day!

It’s my favorite holiday. I LOVE Halloween.

What are you going to be for Halloween? I’m a cactus.

SHORT STORY!


She woke with a choked gasp, her fingers clawing at her throat, before she fell back into her pillows, realizing that she was still in her bed. She waited for her heartbeat to settle, gloomily accepting that she likely wouldn’t be able to go back to sleep. She curled up and tried to get warmer beneath the mound of blankets, the nightmare already slipping her mind.

She was in a daze, in that quiet space between waking and sleeping, when she heard a soft creak, like footsteps on old floorboards. It must’ve been imagined. It must’ve been the first whispers of a dream. But she was alert now, listening and tense beneath the sheets, her eyes still closed.

What am I doing? she thought, with a short burst of laughter that more resembled a sigh.

A door slammed.

Whispers rose.

The footsteps came faster. Quicker. Urgent.

She rose slowly out of bed, wrapping a quilt around her shoulders, letting it drag on the floor behind her. She went downstairs, listening looking terrified. She flicked on the light, prepared to find something sinister and relaxed a bit when there was nothing. She was about to go back upstairs, to write off the sounds as figments of her imagination, when she heard a voice in her bedroom and froze, her foot hovering over the stair.

The sound wasn’t in a language she could recognize. It flickered at the edges of her mind like she should’ve been able to comprehend it. Yet it didn’t sound completely right, either. Something was off. A hissing undertone that wasn’t possible on the human tongue.

She climbed up the stairs, softly, slowly, coiled up and ready to fight or flee as soon as the cue was given. She flipped the light switch in the hall. She breathed a soft curse as light didn’t flood the hall. A moment later, the light at her back from the kitchen plunged into darkness, leaving nothing but shadows and silvered moonlight.

The quilt drifted to the floor behind her as she used touch and memory to find the hall closet. She pulled out a flashlight, praying it to work as she switched it on, and a dull glow filled the hall.

She followed the sound of the whispers, the sound rising and falling in chaotic waves, to her bedroom. To her bed.

She fell to her knees and pressed her face to the floor. Her hand shook against her will as she directed the flashlight beam underneath the bed.

The darkness seemed to swallow the light.

A solid mass of shadows.

Roiling and swallowing and shuddering.

Consuming.

She squinted and pressed closer. It couldn’t be. The light. The darkness. Her imagination. Her eyes. They were lying.

Her eyes widened.

A gasp escaped her lips. What did she see? What did she see?

She scrambled backward, lunged for the door.

Something pulled her back.

Something took her.

Something swallowed.

Something consumed.


© ARACHNID WEAVER 2018