How to Bake an American

Another week, another odd post stolen from English class. The topic was “the American Experience.” There was no other context and I was very confused. This is what I came up with:


Easy-to-Follow Recipe for an American Human

Ingredients

  • 4 sticks of butter
  • 6 square yards of pretzel dough
  • 7 brussel sprouts
  • 1 watermelon, chunked
  • 20 oz. of sparkling flavored water. Any flavor will work.
  • An assortment of caramel hard candies
  • 6 gallons of cranberry juice
  • 5 wads of pre-chewed gum. Cinnamon.

Directions

First, roll out 6 square yards of pretzel dough. Use it to line your human mold. Molds are typically found in the baking section of your local supermarket if you don’t already have one. Then, use human organ molds (also found at your local supermarket) to shape the watermelon chunks. Chill these in the freezer for twelve hours then place the organs in anatomically correct locations (consult an anatomy textbook if you need to refresh your memory).
You may have noticed that there is no mold for the heart. This is because we will use brussel sprouts instead. Brussel sprouts will give your American human its characteristic sense of rebellion. Americans have rebellion ingrained in their souls, having once been children who knew ice cream was better for dinner than brussel sprouts despite their parents’ disagreement (and also like history and the founding of the country and stuff). These brussel sprouts will make your American buck under anyone else’s reins, including yours. Your human will value independence and self-reliance and think that it is a solitary pillar that does not need any support. Americans walk alone. It is a weakness to want or accept help. Your American human will think itself a closed system perfectly capable of surviving on its own. This will be very frustrating and is why people usually prefer baking cats. Americans covet independence because they want control of their lives. Accordingly, Americans ignore the collective mind of the Great Brussel Sprout compelling them to maintain their mundane routines and instead believe they are choosing to live consistently. They feed their rebellious brussel sprouts by breaking minor rules and being moderately spontaneous. Do not worry about your American human creating anarchy. Do worry about it terrorizing your life.

After inserting the brussel sprouts in the correct location, create the brain by softening four sticks of butter and placing it in the head of your mold. Next, douse your human in cranberry juice.

To add the competitive American spirit, add 20 oz. of sparkling flavored water to the cranberry juice. Americans strive for improvement, like how flavored water improved boring, tasteless water. American humans are industrious people, like ants, always coming up with a new and better thing. Instead of sticking with the traditional way, Americans search for the efficient way. This competitive nature often carries over to Americans themselves. Self-improvement turns to a cut-throat competition to be the best because in merit-based America the best succeed. Encourage your American human to constantly perform better. This competitive environment should persist until retirement or consumption. Remember that the flavor and quality of your American human depend on its ability to succeed.

For the final cultural ingredient, thoroughly chew fives pieces of gum until the flavor disappears. This will give your human materialistic values because, like materialism, gum tastes okay but has no real nutritional value. Americans like stuff a lot. It is proof of their hard work and competitive prowess. Surrounded by other people with a lot of stuff, Americans tend to accumulate things to give off the perception of wealth. Since the quantity and quality of possessions reflect an American’s success, and since success reflects the quality of a human, prepare for your human to acquire more things and require more space as it ages. This may be irritating at the time, but remember that a human with more things is a happier, better quality human and that it will be worth it in the end. As the Bishop of Digne puts, “those who have managed to avail themselves of this admirable materialism have the joy of feeling totally irresponsible and of imagining they can devour everything without a worry… and they’ll go to their grave, having digested the lot. How sweet it is!” (Hugo 28). And how sweet your materialistic American human will be.

Combine the five wads of gum into one large cubic shape, then attach the assorted caramel hard candies to it so it resembles a porcupine. This candy will form the teeth. Submerge the wad in the cranberry juice. The location does not matter.

Allow your human to chill in the fridge for 48 hours, then remove and bake on low heat for nine months. Be careful when removing from the oven, it may be hot. You may be concerned by any screaming or crying, but do not worry, this is normal. Allow your American human to mature for at least twenty years, then serve with dairy or fruit.

Photo by Ana Rocha from Pexels

The Garden of (American) Dreams

Greetings, humans. I’m going to steal another post from English class because it’s just so easy. I will most likely continue to do this. Therefore, expect uncharacteristic, serious topics like this because that’s what we do in English, though I will attempt to make them lighthearted and entertaining because that’s what I do always.

This week’s topic was the American Dream. (We’re reading The Great Gatsby.) Background: The American Dream is the idea that in America is the land of opportunity, that anyone can achieve their dreams no matter where they start if they work hard. However, the American Dream appears to be an ideal that’s not real for many.


Let us imagine a garden. This garden is imaginary because as we established in the last post, I am a terrible gardener and any real garden of mine would surely turn to either a field of gravel or a luscious plastic paradise. This imaginary garden is actually where my last remaining cactus now lives.

So let us imagine this garden together. There’s a fence. In fact, it is a white picket fence. The garden is a predictable and neat rectangle. As this garden is imaginary, there are many different microbiomes and the plants are semi-sentient. Predictably, every fresh-faced, dewy young plant has the exact same dream: to grow in the sun-warmed soil, to spread their leaves, to photosynthesize, to exist, to be. But often to be the greenest, to outgrow and outcompete all the other plants, to spread their roots the widest and spread their seeds the farthest, to be the most beautiful plant, the most useful, to live in luxury, to be glorious, to have more.

In the center of the garden, we have the prime spot. There’s a tree that provides shade for those snobbish plants that need something like three hours of full sun and an hour and thirty-eight minutes of partial shade. The center of the garden has the most fertile soil. It’s a deep chocolate, like crumbled, moist brownies. It’s imported from an earth-like exoplanet that has far superior soil, untouched by human pollution. The center plants require vintage wine and hand-fed grapes every six hours. In addition to exquisite wine, the plants are fed melted ice water only from the purest snow of the Arctic. It’s a lovely place to be, but it’s rather small and exclusive. All the plants there have been there for generations, and when they die and rot in the chocolate soil, their seeds take root and grow where they died. As they will always grow and die in the center patch. Life is good in the center; sure, they have their problems, like everyone else, but it’s hard not to envy the center. The center patch of the garden is what all the other plants want, what we work towards, but the plants in the center just had the luck to grow there, I suppose, just like any other plant had the luck to grow where they grew. And we can’t really blame the center plants for being center plants; they didn’t choose for their seeds to be there, just like the plants in the desert didn’t choose to be there. But that doesn’t stop us from hating them, or at least the idea of them, a little bit. Their vintage wine and Arctic snow-melt and imported dirt…. Jealousy and a sense of entitlement are a bitter mix.
Most of the plants grow in the area encircling the center. Life’s pretty good for us. We don’t have the purest water, but it’s still clean, human-grade drinking water that rains down on us like clockwork from the sprinklers. Sometimes we’re thirsty, but most of the time we’re not. There are no shade plants, and the sun sometimes burns, but most of the time it’s warm. The dirt isn’t great, but it’s good. We don’t have imported soil, but we do get store-bought, eutrophying nitrogen fertilizer occasionally. Life’s pretty amazing actually, and yet we moan and envy the center patch. It’s only natural. After a plant’s grown some, reached its old plant dreams, it isn’t usually satisfied. It makes new dreams. It doesn’t stop growing, it wants more. It’s only plant nature. We can’t really blame ourselves for wanting, but we can’t help but be a little disgusted.

There are also other areas in which plants struggle but where it’s not quite so bad as the desert, such as the bog and the mud pits and the marsh and the patch of eternal darkness in the corner. However, we will only mention them in passing because this is already far too long and there’s still much more gardening to be done.

The desert is the worst of the worst place to be, Supreme Cactus help those who end up there. It only gets water when the fickle clouds feel like it, and even then it falls from the gutter. The only other source of water is when a stray cat bothers to urinate on it. The sun burns, an inescapable oppression; the “soil” is cracked and dry, indistinguishable from the rock of the moon, where no plant dares grow. Contrary to expectations, there are plants in these inhospitable wastelands, where the days are brutal and the nights are brutal and where no plant belongs. There are a few plants, my cactus, for instance, who grew up in the desert and thrived. We point at these exceptions and exclaim, “Look! It is possible to reach the dream, even from the desert with nothing to begin. The other desert plants must not be trying hard enough. They must be irresponsible or unintelligent to not have beaten the impossible odds. In this garden, all you need is hard work to reach the dream, not luck or good soil or anything else. Those other plants must have gotten what they deserve.” The desert is spreading, you know, mingling with the middle patch as we erode our lands with unsustainable agriculture. This terrifies us. It makes our soil all the more precious. Oh, we care. We sympathize. We toss the desert our excess water, some fertilizer, to soothe our consciences. We worry and talk and read and write stupid articles about gardening, but at the same time, we clutch our soil all the tighter because Can you imagine living in the desert? and watch the center patch like hungry cats. We shrug and think, “Well, there isn’t enough space here for everyone. Someone needs to live in the desert.” But most of the time we don’t think about the desert at all. It’s only at the fringes of the garden. We can barely even see it. And the plants in the desert? They can barely see us. The desert is infinite, all-consuming, inescapable. The “dream” belongs in quotation marks for the desert. It is a joke. A whisper of a possibility you’d need a microscope to see. As Langston Hughes, an eloquent shrub, put it, “America never was America to me.” (To make this quote work, we’re going to pretend I named my garden “America,” even though I would never name a garden, let alone such an idyllic name, the pessimist that I am. Note that I don’t like metaphors and that this is absolutely not a metaphor for anything. It is simply an imaginary garden that I have to replace the real garden I failed to sustain.)

We must also mention the weeds: the dandelion seeds that float over the fence, the clover that crops up from nowhere. We see them as ugly. We spray them with weed-killer (poisoning nature). We call them “foreign,” “invaders,” “aliens,” like the little green imposters from Mars who plant themselves among us. We think they’re taking our space, that we somehow deserve the garden more because we were here first, like petulant children claiming toys (The native grasses were here first anyway. Kentucky Bluegrass is actually from Europe). We believe our dreams of glorious plant life are somehow worth more than theirs, even though we all dream the same dreams at night. We will correct this error here: dandelion and clover are beautiful and these “weeds” are flowers, actually.

That is all I have to say. I have no profound conclusion. But I am a mere semi-sentient plant and can therefore barely have thoughts, let alone profound ones. Goodbye, humans. Dream of gardens tonight.

Note: Maybe I won’t kill this garden. Since it’s not real, it shouldn’t die unless I want it too, right?

Photo by Lisa Fotios from Pexels

A Declaration of Cactus Independence

Greetings, peoples of the universe. It’s been a while, much longer than I planned to be gone. But school’s been crazy (which was to be expected). I will try to write more because I think I should have more fun and study less (but it is most likely that this will not happen. Don’t we always talk about things we mean to do eventually, but probably won’t).

We were assigned a piece mimicking the Declaration of Independence for English, and I chose to write about cacti (very on-character), and since it turned out well, I am stealing it for the blog. Since this was an assignment, I made time to write. Maybe I should start viewing having fun as homework. Hmm…

Background info: Way back when, America was a British colony, and then America didn’t want to be a colony anymore for various reasons, so we declared our independence from Britain in the Declaration of Independence. That is the end of this edition of Arachnid’s Oversimplified Explanations.


When, in the course of a cactus life, it becomes necessary for one to dissolve the relationship which connects them with an irresponsible plant owner, and to assume, among the powers of the earth, the separate life to which they are entitled, a decent respect to the owner requires that they should declare the causes which impel them to the separation.

We hold these truths to be self-evident: That all plants are endowed with certain unalienable rights; that among these are sunlight, water, and a responsible plant owner. That to secure these rights, houseplants appeal to humans to provide them with their needs; that, whenever the plant owner becomes destructive of these ends, it is the right of the cactus to dissolve the relationship and insist on a new type of garden for the owner, laying its foundation in plastic. Prudence, indeed, will dictate that healthy plant-owner relationships long established should not be changed for light and transient causes; and, accordingly, all experience has shown that plants are more disposed to suffer, while they survive, than to right themselves by abolishing the forms to which they are accustomed. But, when a long train of abuses leads to multiple plant deaths, it is their right, it is their duty, to throw off such a relationship and live an independent plant life outdoors. Such has been the patient sufferance of the cacti; and such is now the necessity that constrains them to alter their plant-owner relationship. The history of the present owner of the cacti is a history of repeated darkness and forgetful watering, resulting in the deaths of numerous cacti. To prove this, let facts be submitted to a candid world.

She has left her plants in a room with closed windows for most of their lives and has prevented their photosynthesis.

She has neglected to water them, resulting in parched dirt.

She has left them in pots too small for their roots.

She has never given them fertilizer.

She has never cared.

She has given them stupid and decactusizing names that she can never remember.

She had allowed a glued-on fake flower to remain on one of her cactus for their entire life, an atrocity.

For the deaths of many, many cactus.

For failing to properly screen her plant sitters, resulting in a shattered pot, the decapitation and ultimate death of the cactus with the fake flower, and the maiming of another.

For the death of her succulent, who rotted suddenly.

For the death of her grafted cactus, who dried up for unknown reasons.

For the death of the maimed one, who sank in the dirt and died of unknown causes.

For purchasing an innocent, baby cactus she couldn’t take care of and that died immediately due to overwatering.

For forgetting the deaths of the others.

For killing every plant she has ever owned.

For leaving only one lonely cactus alive, who will most surely die soon.

For refusing to change her ways when we started dying.

For not relinquishing her ownership when we continued to die.

For mocking us with her cactus pins and cactus costume while we died.

Through it all, we have begged and pleaded on our imaginary knees in the most humble manner for her to water us, to open the blinds, to give us larger pots, to give us away. It was not much to ask, but our repeated petitions have been met only by repeated injury. A human whose character is thus marked by abuse and irresponsibility is unfit to be the owner of cacti.

Nor have we left her unaware of our complaints. We have warned her, from time to time, that our roots were pressed against the sides of our pots. We have reminded her of our sickness with our pale green pallor, our stick-thin, thirsting bodies. We have appealed to her supposed kindness with our imaginary, large, sad, soulful eyes; and we have asked her to stop the cruelty, which would inevitably remove us from her life.

She has been deaf to the voice of justice and cactus. We must, therefore, by necessity, remove ourselves from her. If she changes her ways, though, we are willing to be friends.

We, therefore, the single remaining cactus and the ghosts of the others, in spirit assembled, appeal to the Supreme Cactus for the rectitude of our intentions, do, in the name and by the authority of the good cacti of this city, solemnly publish and declare, that this cactus and all future cacti are, and of right ought to be, Free and Independent Plants; that they are absolved from all allegiance to the Monstrous Arachnid, and that all connection between them and the Monstrous Arachnid is, and ought to be, totally dissolved; and that, as free and independent plants, they have the full power to remain outside, photosynthesize, absorb rain and sunlight, and to do all other acts and things which independent outdoor plants may of right do. And for the support of this declaration, with a firm reliance on the protection of Divine Cactus, we mutually pledge to each other our lives, our spines, and our sacred honor.

Why Writing and Marriage Are Pretty Much the Same Thing

As someone who has never been married (and has conducted only minimal research), I can definitively conclude that writing is just like marriage.

Like marriage, stories start in the honeymoon phase: the idea. Your new idea outshines all your previous ideas combined. This is the best idea you’ve ever had, the best story you’ll ever write. You start planning excitedly, the opportunities infinite. The words and the characters and everything will work this time, you just feel it. The honeymoon phase is the glory of the initial idea, the sloppy love of the first draft, the adoration of words without the struggle. You immediately drop whatever you were working on last, in varying states of incompletion, and start working on your new story.

The inevitable fall happens when the illusion of the idea fails under your subpar abilities to capture your imagination. You see the story for what it really is: a dumpster fire. You read your first draft—which had seemed worthy of your favorite authors before—and cold dread makes its way through you. The plot holes, the awkward sentences, the grammar errors are circled in an imaginary red felt-tip pen, each glaring mistake a strike to your ego. The story did not go as you planned, and not in a good way. Was the idea too weak, or was it your writing abilities? Who’s to blame? This phase of the writing process is characterized by hopelessness. The story will never get better and you are a horrible writer. You don’t even deserve to try. The story gets locked away deep in a drawer where it will never see the light of day again. You move on to other loves. Maybe you’ll take up piano or art.

After a few weeks or months, after you’ve cleared your head, tried other things, you come back to the story and see it with fresh eyes. It isn’t quite as horrible as you remembered. It’s definitely not good; in fact, it’s still pretty terrible, but you think it could go somewhere with a lot of work. This phase is the most difficult as you systematically destroy and rebuild everything. You try to make the story at least vaguely presentable. You coax the words with cream and pretty ribbons to get them to work for you and align in a lovely way. It’s exhausting. It’s full of long nights critically analyzing every word, deleting huge swaths of text you’d spent hours writing the day before. For every step you take forward, it seems as though your taking a thousand back. Every patched plot hole introduces hundreds of cracks.

Eventually, your story becomes adequate, and you’re finally pleased with yourself. You’ve grown as a writer. You’ve created something better than anything you’ve ever written before, even if it’s not as good as you wanted it to be. It’s when you allow yourself to read the story for the first time as a reader instead of as a writer and you get to praise the lovely phrases, the characters, the plot, instead of looking for what’s broken. This is when the story is finally put away and it stops lingering in your mind every waking moment. The story is closed and filed away and you’re content, and you get to look forward to the next honeymoon phase with the next story.

It’d be lovely if that were the last phase, but for me, at least, it’s not. The stage of being happy with my story is uncomfortably short. It usually lasts a few days and then I’m back to hating the story. Which means that, yes, I say that I love writing, but I spend most of my time hating what I write. Maybe I should take up piano or art.

Not Human

In early elementary school, up through third or fourth grade, I’d thoroughly convinced myself that I wasn’t human. Humans were far too mundane, to unmagical for my tastes. I was absolutely certain that one day I’d wake up and my true magical potential would emerge and I wouldn’t be a lowly human anymore. I was just waiting for that day to happen and simply passing the time in my human life. My humanity was a placeholder for my true magical self.

On top of believing that I wasn’t human, I would search for magical beings everywhere. I remember intently searching for leprechauns every St. Patrick’s Day with my friends. My house had a pond in the backyard, and of course there were mermaids in the shallow pond. They were lurking under the surface, biding their time and waiting for me to sprout my tail so I could join them.

All mythical creatures weren’t created equal. Mermaid, for instance, I’d take over human any day, but it wasn’t preferential. While mermaids did have their underwater cities, I didn’t want to leave land forever. Therefore, I would be a shapeshifting mermaid so I could still come to the surface and get ice cream on the weekends.

For fairy, which was mythical creature I most wanted to be (a human-sized one, not a small one. I didn’t want to be crushed underfoot.), I imagined having wings and practiced flapping them so I’d be prepared to fly whenever they grew. I practiced folding them away and fluttering them gently when I walked. I could feel them, and I could almost see them. I was so convinced they were real that I’d even briefly considered jumping off our second floor to test them.

In third grade, I was convinced that the existence of my canine teeth indicated that I was actually a vampire or a werewolf. I couldn’t decide between the two. I managed to persuade my friends that this was true as well. It turned out they were harboring doubts about their humanity too.

When I finally came to realize that I was a mere mortal and would never sprout magic powers or wings, I turned to writing. I wrote many “novels” about mythical creatures. I wish I still had them, but most I’ve lost and some I destroyed.

In third grade, during writing time, our teacher would give us a prompt. She usually wanted us to talk about our real lives and experiences, but I decided to do my own thing and write fiction. My novel was about these three cat-fairy sisters going on a quest of some sort to save their mother. I was so excited to reach twenty pages in my composition book.

I also wrote a picture book in third grade. It was about three friends at a vampire school going on an egg hunt for solid gold eggs. It was a competition between their whole school. A race. I remember one of the eggs was stuck on the roof of the school, so they decided to blow it down. And plot twist/cliff hanger: one of the characters is actually a werewolf. *Mind blown* This was revealed by one of the eggs having a werewolf engraved on it.

Slight detour from fairy tales: In fourth grade, I wrote about a fork who was terrified of being used. It’s about how fork are superior to spoons. I hold this belief strongly to this day.

Then back to fairy tales in fifth grade, I wrote a bunch of fairy tale retellings with the villain as the misunderstood protagonist.

I also wrote a “novel” about shape-shifting mermaids. I was super excited when I hit a thousand words. *Looks at ~800 word blog post written in half-an-hour. Looks at ~1,300 word essay written for English yesterday.* This novel was written in lieu of whatever assignment we had in the computer lab. It was also my first typed story. I deleted it after it devolved into overpowered characters, no real plot, and shell phones. I wish I hadn’t.

In sixth and seventh grade, I diverged from fantasy and wrote my first dystopian, which I didn’t finish. It was about a terrible war that destroyed human life. The main character was Annie, a normal citizen who struggled to make ends meet, whose parents just laid hopelessly in bed all day watching a blank TV, and only ate peanut butter & jelly sandwiches (except the bread was secretly cardboard). The other main character was Nikki, who was a privileged girl not really even aware of the war with an aloof, uncaring father. Plot twist: the father started the whole war. Annie and Nikki would band together to stop her father, but at the end, when it really counted, Nikki would choose her father over Annie and the war would continue. The end.

The Sleepwalker | Flash Fiction

Hello, peeps of the universe. Today, or tomorrow, or whenever I find the time (what is time, anyway?), I’ll be doing a writing prompt! (Is “doing” an accurate verb? I’m not really “doing” a writing prompt. I’m writing an explosion based on the fuse that is the writing prompt. But actually, I’m just rambling.)

This writing prompt will be done with no prior planning. Basically, it will be word vomit. But hopefully, it’ll be entertaining word vomit. Either way, it will help me sharpen my writing sword to a lethal point so I can viciously stab all the fictional villains. [Insert mental image of Arachnid trying to press buttons on her laptop with a ginormous sword.]


The prompt: What started off as a sleepwalking problem leads to a night of adventure when Dane gets behind the wheel and does what he was too afraid to do when he was awake. (This prompt was stolen from BookFox.)

Diana carefully watched Dane across the table from her in the small cafe. It was nearly closing time and there were no other customers, only a waiter cleaning up the nearby table and willing them to leave so he could go home.

“Look, I love you, Diana, but you have no idea what you’re talking about. So what if I sleepwalk? I don’t have a problem. It’s harmless.”

Diana leaned forward, her voice dropping to a whisper even as anger laced her words. “Harmless? Do you even know what happened last night? Have you seen the news?”

Dane slowly shook his head.

“An unidentified man let all the butterflies out of the zoo.”

Dane barked a laugh. He had braced for something terrible to come out of Diana’s lovely mouth, like vandalism or arson or murder. “That’s all? So what if a few more butterflies are flitting around the city? Let them be free.”

Diana shook her head in disgust. “You don’t understand. It always starts small, and you tell yourself it’s nothing, and maybe it is then. But it escalates and you don’t even notice. This is bad, Dane. You need help. You could do something you’d regret.”

He drank the rest of his tea while Diana’s words rolled around inside his head. “Diana, trust me, it’s nothing.”

She abruptly stood up. “It seems you don’t have to even be asleep to say things you’ll regret.”

***

Hours later, the night was blue and sleeping. Dane was only a lump under the covers, Diana’s scathing accusations forgotten in the fog of sleep. The world breathed softly, the wind brushing the curtains in greeting, and the floorboards creaked as Dane’s feet thudded softly against them.

He didn’t fit neatly in the world anymore. He was outside of the calm and his body outside the control of his mind.

***

The garage door rumbled open. A car rolled out, Dane behind the wheel. The car lurched onto the empty street, weaving in and out of the lane like it was drunk, occasionally careening onto the sidewalk.

The car coasted to a stop after a while, half on a lawn and leaning against a precariously tilting mailbox. Dane clumsily stepped onto the pavement and stumbled to the door. He rang the bell, and when no one answered, he rang it again. Again, the door remained closed, the night still and quiet. He broke the silence and pounded against the door.

A moment later, Diana opened the door, wearing purple pajamas and glaring both furiously and sleepily. She rubbed her eyes. “What do you want?” She noticed his glassy-eyed stare. “Dane.”

Dane dropped to his knees and pulled a slightly squished cinnamon bun out of his pocket and held it out to Diana in an offering. He mumbled, “I love you. Marry me?”

Diana, usually unshakeable, was shocked. This was unexpected, to say the least. She thought that his sleepwalking would culminate in various criminal activities, not a proposal. “What? No. Goodnight, Dane.” She closed her front door, rolled her eyes, and went back to bed. Dane could find his own way home, as he had every night for the past few weeks.

***

Diana slid into the chair across from Dane the next afternoon and folded her arms. “Do you know what you did last night?”

Dane looked surprised. “I sleepwalked again? But I woke up in bed this morning.”

“You proposed to me. With a cinnamon bun.”

Dane flushed. “I—You were dreaming,” he spluttered.

Quality vs. Quantity

I was thinking the other day, as I occasionally do, about the phrase “quality over quantity.” This saying is useful when describing friends or hours spent studying or blog posts, but it is not always true. Sometimes quantity can be more important than quality.

For example, let’s consider Fred. Fred wants to start a sock business. He has scoured the globe for the perfect sheep with the softest, most unscratchy wool. He’s searched oceans and galaxies, talked to wise wizards and wise librarians, searched under rocks and inside the bellies of various beasts. After many years of humiliating fruitless searching and exhaustion, Fred finally did it. He found the perfect sheep.

He spent months in isolation, knitting away as the clock’s hands spun until he had created the most perfect, wonderful sock. It was the softest, the most breathable, the comfiest sock in existence. The quality was brilliant.

However, Fred only had enough wool to create one sock. Only a sad half of a complete pair. There simply weren’t enough socks to start a business. As there was only one magic sock in existence, Fred could sell it at an outrageously high price if he so wished, but he did not so wish. Through the years spent devoted to the creation of this sock, Fred had grown quite attached to it and he couldn’t bear to sell the love of his life to be worn on some random geezer’s stinky foot.

And so Fred had wonderful quality, but his lack of quantity led to a failed sock business.

Fred did, however, have a business-minded younger sister, Bethy. Bethy and Fred were always competing as children for their parents’ love. So while Fred spent years failing to find a sheep, Bethy took the opportunity to be better than her brother. She was going to start a successful sock business that would make her brother look even more incompetent in comparison.

Bethy’s socks didn’t have nearly as much care put into them as Fred’s sock did. Bethy business plan was to sell her socks at an absurdly low, low price so people would compulsively purchase them. In order to make them at such a low price, Bethy had to be clever. Instead of using wool, she used dandelion fluff. People paid her to weed their lawns and then she used those same dandelions to make her socks, which the same people later purchased. She also hired highly trained mice instead of people to make her socks because mice accepted cheese as payment.

Bethy’s socks weren’t of the highest quality. Her customers often complained of the socks being too fragile to wear and smelling oddly like rodent. But her customers’ contentment didn’t particularly concern her as long as they continued to purchase her socks.

And so Bethy had poor quality, but she did have quantity and a successful sock business, unlike Fred.

Now the question is, was there a point to this whole rambling story? No, not particularly. But it was fun to write.