The Cat Lady | Short Story

November 28

To My Dearest Diary,

I thought Emperor Mozzarella loved me, at least as much as my other cats do, but clearly, I was wrong. He vomited all over my most cherished rug and completely ruined it! I can’t believe the Emperor would do such a horrible thing! I thought he respected me. I suspect it was revenge for giving Cherry the Cheshire the fancy cat food instead of him. But Cherry the Cheshire, the poor dear, is at the end of her life, and she needs a little coddling in these last months.

It really was a marvelous rug: very plush and very beautiful and very white. I inherited it from my mother. I was pleased when that abhorrent woman died because it meant I could have such a wonderful rug. 

I wanted to publicly shame the Emperor for destroying that magnificent rug by forcing him to give a stand-up comedy routine in front of the other cats. I expected him to embarrass himself, and I even gave the other cats permission to fling rotting vegetables at him. But he once again disappointed. He’s surprisingly skilled with cat puns, and the bucket of rotting vegetables remained unflung. Even I couldn’t prevent a small chuckle from escaping. My punishment was a failure. I’m afraid the Emperor rather enjoyed it. But don’t worry, I’m still holding a grudge. I will eventually have my revenge.

November 29

To My Dearest Diary,

James called and that good-for-nothing son-of-mine said he’s coming over tomorrow evening, despite the fact that I told him I’d rather he didn’t. He’s so inconsiderate. But the child said he’s “worried about me” and that I need “human companionship.” What did I do to make him think he’s worthy of my companionship? He’s not worthy of the floor I walk on, and I thought I’d made that clear. I don’t understand why he can’t be more like his sister. Even when they were kids, I always told James to be more like Mary Sue, but he never did listen to me. And now look where they are. Mary Sue lives in The Big City and is the CEO of Really Fancy Tech Company. James, on the other hand, has done zilch with his life. He’s a failure. A nothing living in an average suburban home with an average job and an average wife and horrid children that shower him with their sickly love. But Mary Sue. She’s made it in this world. Her name is known. She has power. She’s successful, and I’m proud of her.

At this point of my speech, James usually rolls his eyes and points out that Mary Sue is unhappy, goes through men like normal people go through waffles, and she hasn’t called me in five years, while James, the angel, has checked up on me nearly every day and “actually cares.” However, his points don’t make any sense and his argument is as stupid as he is. I’ll concede that Mary Sue is unhappy, but happiness doesn’t relate to success and is therefore unimportant; I am allergic to waffles (I do love a good pancake though) and therefore I do not eat waffles (because they would kill me and I rather like life) and therefore Mary Sue’s relationship with men is perfectly healthy; and she hasn’t called because she’s successful and successful people are often too busy to call their mothers. I’m so proud of my little girl.

James, though… I do not appreciate it when he calls. If anything, it only inconveniences and irritates me. James fully knows this and calls only to spite me for loving Mary Sue more when they were children (and now). And I know for a fact that he does not “actually care.” If he did “actually care” he would blindly follow whatever I say, wouldn’t he? This is why I prefer cats to people. (And diaries to cats.)

November 30

To My Dearest Diary,

I’ve been thinking about what James said yesterday, about how I need more friends. After a significant amount of thought (I wasted thirty seconds of my life thinking about what James said. I can’t believe myself), I’ve come to the conclusion that he has once again proved himself to be incompetent.

I’m anything but lonely. I have so many friends! There’s Cherry the Cheshire, Sweet Milly, Tibby the Tabby, Colby and Jack, Margaret, Cheddar the Yellow, Emperor Mozzarella, Tommy—I haven’t seen the poor dear in ages. I wonder where he’s gone—, Reina the Yellow, Raisin the Bald, etc. So many friends! Except for Emperor Mozzarella. We’re currently not on speaking terms.

James, that filthy clod, repetitively commands me to find friends. He doesn’t think my precious cats count. He says I should “be friends with things that can speak.” That narrow-minded lump can’t comprehend the fact that my cats can speak, at least to me, and are the only friends I need. What more could I want? Other than Emperor Mozzarella, they are doting and kind and so, so sweet—qualities that he himself does not possess! And he insults my friends?

And I have you, Dearest, as well, don’t I? You’re my best friend, and even better than the cats (don’t tell them I said that). I do love the cats, but sometimes on the longer days, it becomes all about me, me, me, and it becomes tiring to pretend to care about all their yowling. Raisin the Bald, especially, is quite narcissistic. Sometimes they don’t worship me the way I want them to. But you, Dearest, are wonderful in ways the cats could only dream to be. You listen so well. I can tell you all my secrets and never will a word of it reach the others. I confided in Tibby and Tommy once, but the poor things love to gossip. I gave Tibby and Tommy the silent treatment for three days. They learned their place after that.

Dearest, you understand me like no other can. You love me like no other can. You never want anything from me. Oh, the cats are good company, but they don’t compare. It’s constantly feed me, change my litter, love me. They expect so much from me! Is it wrong to sometimes take instead of give? Is it wrong to sometimes want things for me instead of always living for others?

November 31

To My Dearest Diary,

James visited yesterday. It was rather unpleasant, and his voice provoked a terrible ache in my left ear. He brought hot chocolate, which was nice. I made some for myself, but when I sat down on the couch across from him, he eyed my hot chocolate like I should have made him some. The nerve! If he had wanted hot chocolate, he should have kept it at his house. He gave it to me as a gift, and since it’s a gift, I have the right to do with it what I please. And I’d rather not waste hot chocolate on ungrateful little urchins.

James kept trying to make small talk. I detest small talk. I remained silent and glared at him until he left. That made me feel successful.

Then I had to go lie down because of my ear.

Wait a moment, Dearest, would you? The phone is ringing. It must be my darling Mary Sue.

November 31,

To My Dearest Diary,

Dearest, I’ve returned! Did you miss me?

James called again. I apologize once more for giving birth to such a barbaric son.

He sounded horrendous. I’ve always told him to enunciate, but that boy never did listen to his wise mother. And he wonders why I think he’s stupid. 

He seemed worried. About Mary Sue of all people. I don’t understand why anyone would even think to be worried about her. She’s perfect! There’s no aspect of her life and/or personality that could be any cause for concern.

He said she’s lonely and upset. I told him he was speaking nonsense and to get off the phone. That arrogant child ignored my command and stayed on the phone. He said he’d tried inviting her for dinner, but she refused to come over because she didn’t want to see James’s wife because she gave Mary Sue a ceramic catfish for James’s half-birthday three years ago. Which is absurd because Mary Sue has never held a grudge. I suppose she hasn’t talked to me since I gave her a glass flounder for Christmas five years ago, and I suppose other people would call that a grudge, but I promise it’s not a grudge. I don’t know what it is, precisely, but I assure you it’s not a grudge. She has always been such a sweet-tempered girl. She was frequently nice to the other children and she was so funny! She’d make her classmates weep with tears of joy. The teachers said she was aggressive, but they didn’t understand. My Mary Sue is an angel.

Anyway, I’ll send her a cat to keep her company. It’s worked so well for me. Probably Emperor Mozzarella. It’s a brilliant plan. I won’t have to deal with the Emperor anymore and James can’t pester me about Mary Sue’s supposed loneliness either because at least I tried.

Emperor Mozzarella is getting out of hand. On top of defecating on treasured rugs, he is now picking fights with the other cats. He ate all of Cherry the Cheshire’s fancy cat food and has sparked a war between the two of them. I usually stay neutral in my cats’ affairs (to keep up appearances as I supposedly love them all equally), but, due to prior infractions, I find myself inclined to support Cherry the Cheshire in her endeavors. All the cats will say their goodbyes to Emperor Mozzarella tomorrow. Personally, I will be saying good riddance.

November 32

To My Dearest Diary,

Everyone said their goodbyes to Emperor Mozzarella today. It was a sad occasion for the cats. There was much weeping. Despite their differences, the cats love the Emperor. I don’t understand them. How can they forgive his faults and choose to love an inconvenience?

I was planning to cut Emperor Mozzarella from our family. I wasn’t going to give him a way to contact us again, but Sweet Milly begged me with tears in her feline eyes to give him a stationary set. Either Sweet Milly is kind to everyone, or she and Emperor Mozzarella are in a secret relationship. I can’t wait to give the announcement to all the cats! (You can’t tell because you can’t see because you’re a book and therefore don’t have eyes, but I’m waggling my eyebrows suggestively.)

November 35

To My Dearest Diary,

Mary Sue, the darling, sent me a letter today.


To My Dearest Mother,

I know I’m currently not speaking to you because of that atrocious glass flounder you gave me for Christmas a while ago. Don’t let this letter deceive you because I’m still not speaking to you, and I’m definitely not forgiving you.

You have angered me and I know it was revenge for cutting ties with you. I’m scolding you because how can a mother so gruesomely spite their own favorite child? It’s cruel. You are a horrible woman and I hate you.

I got a box in the mail from you the other day. I thought you were finally making up for that failure of a Christmas present. I thought you were finally considering my feelings. And then I opened it and you know what I found? NOTHING.

You were seeking revenge against your own daughter and you toyed with my emotions.

I don’t appreciate that. How many times do I have to tell you? You never listen.

You know, it was always like this when we were children and you were middle-aged. You were always making promises and never following through. For example, that &$@%ing parent-teacher conference. You promised you’d be a good mother and be quiet and not embarrass me, and what did you do? YOU YELLED AT THE &$@%ING TEACHER and made the rest of the year #*$$ for me. You embarrassed me. Precisely what I told you not to do.

You’re a disgrace of a mother and I am ashamed of you.

With Love,

Mary Sue


To My Dearest Daughter,

You are such a sweetheart. You bring excitement to my dull, cat-filled world. I am so proud of you and all your accomplishments. Take pride in the knowledge that I love you more than James.

I am so sorry that the box arrived empty. It was not my intention to spite you. When I originally mailed it, there was a lovely cat in there, Emperor Mozzarella, who was sent to be your friend. I love my cats so much and I wanted to send you my love in the form of a cat. He must have run away. He always did want to conquer kingdoms and form his own empire. It’s why he demands that everyone call him the “Emperor.” It’s really quite pretentious, isn’t it?

Love Always,

Your Mother


Emperor Mozzarella must have run away (and—oh, dear—Tommy, too). I’m so disappointed in him for disappearing. I thought he was better than that. Maybe I went too far when I forced him into the stand-up comedy routine. He must have been angrier than I thought.

I haven’t seen Sweet Milly for a few days either. She most likely ran away, as well. Probably because I refused to give Emperor Mozzarella a stationary set. She always did have a stubborn streak. This is unfortunate. She was my favorite, but don’t tell the other cats that.

November 41

To My Dearest Diary,

I’m far angrier than what’s considered an acceptable level of angriness. I’m angry at James, angry at myself, angry at my cats. &$%@, I’m even angry at Mary Sue. And now I’ve written “angry” so many times it’s lost all meaning, and I’m angry at that too.

Mary Sue has left already, but James is still in my living room like a cloud of stink you just can’t get rid of. I left him alone. He’d better not ruin the coffee table.

Margaret died just now. I am sad. 

It makes me feel melancholy. I have the strongest desire to constantly sigh gloomily. I’m upset with Mary Sue. She made me feel this way.

It was awful, darling. She was a hurricane. She stormed in and you could see the smoke pouring out of her pores. The world shrunk in her presence, like she took up more space than she should (despite being a relatively short person). And she brought the box.

The one I sent Emperor Mozzarella in.

And then she started screaming absurd things. She claimed that I’m an awful mother, that I sent her an empty box to toy with her emotions, and that I mailed her a letter afterward to mock her. I strongly disagree with all of these accusations. I am an amazing mother, just ask any of my cats or my children. I sent her a cat to make her happy, as if that can be considered “toying with her emotions,” and the letter I sent was completely honest.

I took offense.

James, that disgusting sea lamprey of a son, just sat there, letting his dear mother absorb insult after curse after insult, and did absolutely nothing to defend my pride. I blame him entirely.

Mary Sue, in a final display of dramatics, flung the box at my feet. It tipped on its side and spilled tens or hundreds of decorative fish, clearly revenge for my supposed allegations. Margaret, the poor dear, happened to be napping on the floor when the box fell on her and crushed the life out of the poor thing.

She’s dead now.

I, as any sane person would when their cat has just unexpectedly been crushed to death by a large box of decorative fish, both screamed and generally panicked.

James, of course, reacted in turn by unnecessarily demanding that I tell him what was wrong. As if I owe him an explanation for anything.

Mary Sue just stood there looking stunned and a little bit peeved at my ruining of all her theatrics. The poor darling was always a bit delicate. Endearing most of the time, but never good in a crisis.

I don’t quite remember if I told them that Margaret had died, or if they intuitively guessed, or if they’re secretly psychics and they read my mind. But either way, this lead to the most absurd accusation of the night.

Mary Sue began to speak. “&$@%, Mom. What are you—”

James, that rude little boy, cut her off with a glare. He faced me and said with a strange look on his face, “Mother, you know your cats aren’t real. You have allergies.”

Dearest, can you believe it?

They’re so silly. Of course my cats are real. I’ve had them for years. Children do tend to weave the most fanciful lies, don’t they? Lies so absurd they couldn’t possibly pass for the truth. And besides, I’ve had my cats for years! They can’t be implying that I’ve been imagining them for years, can they? That means they must be real, doesn’t it? They are real, aren’t they? I’ve had them for years… Are they real? Tell me they’re real, Dearest. Dearest? Answer me! Don’t ignore me!

Dearest… You’re real, right?


Photo by Immortal shots from Pexels

The Keyboard

To create a story is to create a world and characters so vivid that the reader cannot bear to accept it as only fiction. To create a story is to allow the reader to breach a space that fundamentally belongs to the writer, and as they peer into its depths, it becomes its own reality. I’m awed that it is me who lurks behind a keyboard and builds worlds, that it is me who toys with the nonexistent reader’s emotions and plays god to my characters. Despite being wholly unqualified, I try to create stories that will entrance readers and lure them into the make-believe.

The story’s foundation is built in the writer’s imagination, in isolation and darkness, hidden and inaccessible. It begins as an idea that is so easily blown beyond reach. The barest brush at the edge of one’s consciousness and then nothing at all, a wisp of smoke, a dying flame, a final breath. The idea is sneaky, a small mouse hiding and darting across the edges of vision when no one’s looking. To capture the idea, one must be constantly vigilant, hunting and prepared to pounce. The pen sets the trap. At the briefest whisper of an idea floating by, the pen is touched to paper. It rips across the page. It constructs an inescapable prison to store the idea so it will never be forgotten. The keyboard bides its time in the background, preparing for the war it anticipates.

Once captured, the idea is welcomed into the brain. In the mind, the idea festers. It swelters and parasitically feeds on thoughts, leaving no space for anything else. It grows like a fungus, and you allow it, nurture it, cherish it. The idea is a needy infant. It requires constant care and attention to grow. The mind is the mother, willingly throwing all of herself to the idea. It soon eats too many thoughts and is too large to contain within the mind anymore. Pieces of the idea overflow and escape and the mind frantically tries to recapture them, but there is too much. The idea can no longer be contained. It demands to be free, yet the keyboard continues to lie patiently in wait. Brief notes are scribbled, but the keyboard remains mostly untouched as the idea grows into something worthy of it.

Pen cannot keep pace with the flood of ideas that pours from the mind during the exodus. Something always escapes while the pen is preoccupied with decadent flourishes. One must turn to the keyboard to find what the pen lacks: speed. There is something beautiful about the pen, about thoughts flowing in one’s own hand, but as speed increases, legibility is sacrificed. Even the most perfect words are worthless if they cannot be deciphered. The keyboard is cold and mechanical, but endearing, as it never once falters at the barrage of letters that spill from the fingers in a hurricane of story. Every flailing limb of the idea struggles and pushes to escape first. They tug and demand and pull the consciousness every which way. The keyboard is attacked, the fingers venomously striking the letters, matching the speed of the rushing ideas and the keyboard’s hunger for words. Clicking fills the air and becomes music.

The idea is sloppily captured on the page in the rush. Word vomit is splattered to the edges of the sheet, contradictory and directionless and pointless. There are ugly words and cloudy images that must be refined or excised. My mind changes from a loving mother to a soulless surgeon. The love I felt for the leaching idea becomes clinical detachment as I appraise the words with a critical eye. With cold efficiency, I slice into my story, butcher it, maim it, the backspace pummeled, even as my heart cracks and shrivels. I raze my story, decimating the contradictory, the directionless, the pointless, with knives and guns and bombs and keys blazing. It becomes a war zone. Unrecognizable. I assault the keys, my anger expressed through the ferocity of the frantic strokes. The keyboard finds a cruel joy in the vicious destruction of all the words it ever loved.

And then I slow and melt from the violence-starved butcher to the artist. I paint over the fractures with beautiful words. The keys are pressed slowly, gently, each letter carefully considered and caressed. The furious typing is replaced with a graceful dance as the story grows. I nurture the story, feed it and love it once more with beautiful words until it blooms into something lovely, but this time my love is requited. The story sheds its ravenous hunger. It is content and complete. It no longer impedes on my every thought. It settles, finally placated. I breathe a sigh of relief, the battle over and casualties counted.

All throughout the creating and expelling and destroying and rebuilding of the story, the keys clatter. It’s deafening. It’s a wild dance of only the hands. A key is pressed lightly and the finger moves on. There is no proof that the key ever changed except for the letter that has burst into existence like a firework. The letter’s moment of glory is immediately surpassed by the next letter that appears, then the next and next, like bullets fired in quick succession. It quickly becomes nothing on its own, insignificant, but powerful taken in tandem with the other letters. The keyboard hungers for these words. It will become enamored with a beautiful turn of phrase, a romantic. It will encourage a mediocre one to flower, a friend. It will ruthlessly slaughter an inadequate one, a slayer.

The keyboard, a thin, unassuming sheet of squares, is so much more than what it seems. It houses the twenty-six letters, a meaningless jumble of symbols that combine into an innumerable number of words, which are combined in endless, infinitely different sentences and paragraphs and pages and stories. The keyboard allows stories to be told, to exist. It allows worlds to be created and demolished. It is the conduit through which stories can leave a writer’s mind and come alive. And yet, unlike the story, the keyboard does not gloat nor posture. It elegantly accepts praise and continues to work, bearing the vicious tirade of punching fingers as it destroys and creates from ruins.


Connect with me on Twitter @arachnid_weaver.